Thursday, December 12, 2013

It Don’t Mean A Thing (If It Ain’t Got That Swing)

Madhav Chari continues his series on understanding jazz by recollecting an incident to help define swing.

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There is a common misconception that Jazz music is not easily accessible to a general audience. I mean an English speaking audience from urban India with at least some tiny exposure to elements of western music. Even Bollywood music has elements of western music: this level of exposure is enough to enjoy Jazz music.
The misconception is rooted in two obvious causes: recorded music and live performances. Much of the music labeled as Jazz either by the press in India, recording industry, or by many musicians, is actually NOT Jazz music, but music incorrectly labeled as Jazz music. Live performances either of the so called Jazz legends of India in Mumbai, considered the premier Jazz center of India, or even by some foreign musicians sent by consulate organizations, can be extremely insipid, and almost always not connected to the actual energies of Jazz music.

Count Basie and Frank Sinatra

My own belief is that Jazz music played well, can communicate to this very same English speaking urban Indian audience. But the issue is quality, and the energy of the music has to connect with the Jazz of the past masters of the music. In particular the music has to “swing”.

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